Sisyphus, painting by Giovanni Battista Langetti
Sisyphus, painting by Titian, Museo del Prado
Titian, Sisyphus, 1548–49 · Prado

Erasmus+ · KA152 youth exchange · application stage

Are We All Sisyphus?

A week on what makes a life worth the trouble. Twenty-eight people from Poland, Spain, Serbia and Bulgaria. Rabka-Zdrój, 4–11 September 2027.

What makes your life worth the trouble?

7.2/10

Life satisfaction in the EU, 2024. People aged 16–29 rate their lives higher than anyone else.

13%

Lonely most or all of the time. Highest among young adults.

26.3%

Of 18–24 year olds at risk of poverty or exclusion. Above every other age group.

A person can rate their life seven out of ten and still not be able to say what it is for. Satisfaction is a judgement about conditions. Meaning is a judgement about worth.

Sisyphus, engraving after Abraham Bloemaert
After Bloemaert · engraving

The script

By thirty, a life should look like this.

Every society hands its young people a default picture of a good life. Because everyone shares it, it looks like reality. Four countries in one room turn it into one account among four.

BędzinThe interesting things happen elsewhere.
CatralIs staying a choice or a defeat?
Novi SadA capable person leaves.
SofiaDeparture, beside a fast economy.

The first morning

Twenty-eight questions nobody reads.

Each participant writes the question about their own life they cannot answer, seals it and hangs it on the wall. Nobody opens it. What changes the room is that the wall is full. The cards go back to their authors on the last day.

Line drawings after Greek vases, 1899
The History of the Devil, 1899 · after Greek vases

Activity day 1 · 4 September

The wall of questions.

The group writes its own rules and hangs them up, including the right to step back without explaining. Then the wall.

Sleep · obligation · chosen · unaccounted for

Activity day 2 · 5 September

One real week, hour by hour.

Screen hours read from your own phone. Then a task with no purpose, done twice: what was pleasant, what was required, what mattered.

Sisyphus, Ixion and Tantalus, etching by Charles Grignion, 1790
Grignion, Sisyphus, Ixion and Tantalus, 1790 · Wellcome

Activity day 3 · 6 September

Four posters of the expected life.

Built from 84 sentences collected at home, read back by strangers before the authors speak. In the afternoon one scene, three endings: give up, take the ready answer, carry on without a guarantee.

Sisyphus and Tantalus, drawing, The Met
Sisyphus and Tantalus · drawing · The Met

Activity day 4 · 7 September

A letter to nobody. A mask. A box of true sentences.

What a person shows and what they withhold. Nothing made today is published without consent given afterwards.

Wanderer above the Sea of Fog, Caspar David Friedrich
Friedrich, Wanderer above the Sea of Fog, c. 1818

Activity day 5 · 8 September

The mountain.

A full day on a marked route in the Gorce foothills, each person carrying one stone. Twenty minutes of silence, twice. Walking interviews with three questions. At the turning point, one sentence on the stone.

Activity day 6 · 9 September

What a person actually does.

One page of Camus, read aloud, then the strongest objections the room can find. Then a commitment card: one thing you will keep doing without a guarantee, and a date four months out.

Sisyphus, engraving by Friedrich John after Matthäus Loder
F. John after M. Loder · engraving
Sisyphus, mezzotint, Rijksmuseum

Activity day 7 · 10 September

The exhibition opens.

The stones, the posters, the masks and the sealed cards, shown to residents of Rabka-Zdrój. The first people outside the room. The field guide is written the same day, by the people who did the exercises.

Activity day 8 · 11 September

The sealed questions come back.

Each author writes an answer on the back. The eight local sessions are planned with dates, rooms and names, and one is rehearsed. Youthpass is written in pairs, because people are better at noticing somebody else's learning.

Sisyphus, painting by Franz von Stuck, 1920
Franz von Stuck, Sisyphus, 1920
Sisyphus carrying a rock, print, Rijksmuseum

At the top, the stone rolls back.

Camus asks us to imagine Sisyphus happy. The room is invited to disagree. Eight days do not resolve a life. They put one question into words, and give it a room.

Titian, Sisyphus, Prado
Titian, Sisyphus · Madrid

Four societies · Spain

Catral, 9,600 people.

A rural municipality in the Vega Baja del Segura. The one place in the room where the question is whether staying is a choice or a defeat. Titian's Sisyphus hangs in Madrid.

Ayuntamiento de Catral · partner

Langetti, Sisyphus
Langetti, Sisyphus · Detroit

Four societies · Poland

Będzin, after the factories.

A post-industrial town where the twentieth century supplied a clear answer to what a life should look like, through work that no longer exists in the same form.

The Mindset Society · applicant and host

Zanchi, Sisyphus
Zanchi, Sisyphus · Mauritshuis

Four societies · Serbia

Novi Sad. A capable person leaves.

The assumption is stated openly rather than implied. Half argument, half making: the group's vice president came to youth work through fine arts, cinema and animation.

Sapere Aude Serbia · partner

Attic amphora with Sisyphus, Munich
Attic amphora, c. 530 BC · Munich

Four societies · Bulgaria

Sofia. Departure beside a fast economy.

A group whose concept is the camera lens: attention to subjects that matter and are routinely overlooked. Animation, psychology and film, which is exactly what the self-expression day needs.

The Focus Society · partner

Twelve places held for people with no income, from small towns, or with no international experience.

Who it is for

Twenty-eight places. No test.

Aged 18 to 30. No English required and never assessed. Nothing paid by you. Not therapy, not a course, and nobody has to talk about their private life. Apply through the organisation in your country when the call opens: The Mindset Society (Będzin), Ayuntamiento de Catral, Sapere Aude Serbia (Novi Sad), The Focus Society (Sofia).

After the week

Eight sessions at home. One guide. One date.

Each group runs two sessions in its own town within four months. A free field guide in five languages, written by the participants. And on the date on your commitment card, one email asking whether you kept it. The stone is where it was. Twenty-eight more people know what they are pushing.

Pictures, all public domain: Titian, Sisyphus (Museo del Prado) · Antonio Zanchi, Sisyphus (Mauritshuis) · Giovanni Battista Langetti, Sisyphus (Detroit Institute of Arts) · Franz von Stuck, Sisyphus, 1920 · Sisyphus, mezzotint and print (Rijksmuseum) · Charles Grignion, Sisyphus, Ixion and Tantalus, 1790 (Wellcome Collection) · engraving after Abraham Bloemaert · Sisyphus and Tantalus, drawing (The Met) · Caspar David Friedrich, Wanderer above the Sea of Fog (Kunsthalle Hamburg) · Friedrich John after Matthäus Loder, Sisyphus · Attic amphora, Staatliche Antikensammlungen Munich (photo Bibi Saint-Pol) · Meyers Konversations-Lexikon · The History of the Devil, 1899 · manuscript of the Roman de la Rose. Via Wikimedia Commons.

Co-funded by the European Union, subject to the grant decision. Views and opinions expressed are those of the authors only and do not necessarily reflect those of the European Union or the National Agency.

Are We All Sisyphus? KA152 · Rabka-Zdrój · 4–11 Sept 2027
Scroll, swipe or press → to move through the room. Move the mouse to look around.

Erasmus+ KA152-YOU youth exchange · application stage · Rabka-Zdrój, Poland · 4–11 September 2027

Are We All Sisyphus?

Twenty-eight young people from Poland, Spain, Serbia and Bulgaria spend eight days on one question: what makes a life worth the trouble. They work on it with paper, walking, stones and conversation rather than theory. This is the text version; the other version is a room of pictures you move through.

The question

Young Europeans report the highest life satisfaction of any age group (7.2 out of 10 in the EU in 2024; Eurostat, ilc_pw01) and are also the loneliest (13% lonely most or all of the time; EU Loneliness Survey, JRC 2022) and the most exposed (26.3% of 18–24 year olds at risk of poverty or social exclusion in 2025; Eurostat). A person can rate their life seven out of ten and still not be able to say what it is for. Satisfaction is a judgement about conditions. Meaning is a judgement about worth.

The project does not treat depression or anxiety, does not screen for them, and does not claim that eight days resolve anything about a person's life. It does not teach Camus as correct; one page is read aloud on the sixth day and the room is invited to argue with him.

The script

Every society hands its young people a default picture of a good life by thirty. Because everyone shares it, it looks like reality rather than one arrangement among several. Four societies in one room turn it into one account among four: Będzin, where the interesting things happen elsewhere; Catral, where the question is whether staying is a choice or a defeat; Novi Sad, where a capable person is assumed to leave; Sofia, where that assumption sits beside a fast urban economy.

The week, 4–11 September 2027

Every day: two morning blocks, two afternoon blocks, protected free time, a reflection circle and reflection in national groups around three fixed questions. Methods are paper, index cards, walking, silence, forum theatre and one paint marker per person. No device, account or data allowance needed.

Who it is for

Twenty-eight participants aged 18 to 30, seven per country, one group leader per group, two facilitators. Twelve places are held for young people with fewer opportunities: no income or unstable work, small towns and rural municipalities, social isolation or no international experience. No English test, no prior knowledge, nothing paid by the participant. Two psychologists engaged by the host are on site throughout with a private room; they run no sessions. Applications open through each organisation at least four months before the activity: The Mindset Society (Będzin, Poland), Ayuntamiento de Catral (Spain), Sapere Aude Serbia (Novi Sad), The Focus Society (Sofia).

After

Three booster tasks at two weeks, one month and three months. Eight participant-led local sessions within four months, reaching roughly 100 to 160 people. A delayed questionnaire on the date written on each commitment card. A free, openly licensed field guide of fourteen exercises in English, Polish, Spanish, Serbian and Bulgarian, published on the Erasmus+ Project Results Platform. Each partner runs at least three exercises inside its regular work within a year.

Team and partners

Martyna Miśkiewicz (coordinator and facilitator, psychology background), Andrey Kostov (second facilitator, philosophy background), Paweł Miśkiewicz (contact person, logistics and wellbeing), Nadia Urysz (creative coordinator, all visual production). Partners: Ayuntamiento de Catral (Spain), Sapere Aude Serbia (Novi Sad), The Focus Society (Sofia). Applicant and host: The Mindset Society, Będzin, Poland, an informal group founded in September 2026. Project 1 February 2027 to 31 July 2028, submitted to the Polish National Agency, Round 2, October 2026. Nothing on this page is confirmed until the grant decision.

Pictures, all public domain via Wikimedia Commons: Titian, Sisyphus (Prado) · Antonio Zanchi, Sisyphus (Mauritshuis) · Giovanni Battista Langetti, Sisyphus (Detroit Institute of Arts) · Franz von Stuck, Sisyphus, 1920 · mezzotint and print of Sisyphus (Rijksmuseum) · Charles Grignion, Sisyphus, Ixion and Tantalus, 1790 (Wellcome Collection) · engraving after Abraham Bloemaert · Sisyphus and Tantalus, drawing (The Met) · Caspar David Friedrich, Wanderer above the Sea of Fog (Kunsthalle Hamburg) · Friedrich John after Matthäus Loder, Sisyphus · Attic amphora, Staatliche Antikensammlungen, Munich (photo Bibi Saint-Pol) · Meyers Konversations-Lexikon · The History of the Devil and the Idea of Evil, 1899 · Roman de la Rose manuscript.

Co-funded by the European Union, subject to the grant decision. Views and opinions expressed are those of the authors only and do not necessarily reflect those of the European Union or the National Agency. Neither the European Union nor the granting authority can be held responsible for them.